Corporate films & brand content

Films for companies

Corporate films, event reports and brand content. Some are one shoot and a cut; some run a year with several shoots and a series of deliverables. We scope it with you before anything is filmed: what the film is for, who has to see it, where it plays, how long it should run. Settled early, those questions cost a conversation; settled late, they cost a reshoot — so they come first. The shapes vary more than the labels suggest — a film about the company at work, an interview, portraits of a team, the report of an event that mattered to your year — and the scoping call is where we find out which one yours is.

Brand content & advertising

Brand films and advertising: we work from what the company actually does, not from a mood board. A brand content video that could have been made for any company in the sector says nothing about yours — so we shoot the product, the place and the people as they are, and build the film from that. Brand film production stays in-house from treatment to grade, which is what keeps a campaign consistent when it runs to several pieces. The reference reel below is the whole of it — Squash, Lokly, Madame Wine, Pboy, an interview with Roberto Saviano — judge the work, not the description.

Who we shoot for

355 clients and 500+ projects since 2016 — and the range is the point. The same crew has shot for UFC, OUI.sncf, Ushuaïa TV and Groupe SOS, and for the Internet Archive, Filecoin and Gno.land. The open-source side is no accident: the film crew shares one company with an engineering studio, so when your product is a protocol, a network or a developer tool, nobody has to explain the work to us before the shoot. Some of the clients are further down this page, as logos; the films above them say more.

Editing and post-production

We handle filming and post-production. You can also commission editing on its own, including footage shot by another crew. We also offer colour grading, motion design, VFX, sound and mixing.

For an editing quote, tell us the type of film, roughly how much footage you have, the project’s current stage and your preferred delivery date.