Rows of large jet engines in an aircraft hangar, technicians walking beneath a gantry crane

Corporate films & brand content

Corporate video production from a film crew in Paris: corporate films and brand content for companies, start-ups, NGOs and open-source projects, shot and finished by the same crew since 2016.

Films for companies

Corporate films, event reports and brand content. Some are one shoot and a cut; some run a year with several shoots and a series of deliverables. We scope it with you before anything is filmed: what the film is for, who has to see it, where it plays, how long it should run. Settled early, those questions cost a conversation; settled late, they cost a reshoot — so they come first. The shapes vary more than the labels suggest — a film about the company at work, an interview, portraits of a team, the report of an event that mattered to your year — and the scoping call is where we find out which one yours is.

Brand content & advertising

Brand films and advertising: we work from what the company actually does, not from a mood board. A brand content video that could have been made for any company in the sector says nothing about yours — so we shoot the product, the place and the people as they are, and build the film from that. Brand film production stays in-house from treatment to grade, which is what keeps a campaign consistent when it runs to several pieces. The reference reel below is the whole of it — Squash, Lokly, Madame Wine, Pboy, an interview with Roberto Saviano — judge the work, not the description.

Who we shoot for

355 clients and 500+ projects since 2016 — and the range is the point. The same crew has shot for UFC, OUI.sncf, Ushuaïa TV and Groupe SOS, and for the Internet Archive, Filecoin and Gno.land. The open-source side is no accident: the film crew shares one company with an engineering studio, so when your product is a protocol, a network or a developer tool, nobody has to explain the work to us before the shoot. Some of the clients are further down this page, as logos; the films above them say more.

Shot and finished in-house

Writing, shooting, editing, grading, sound — the whole chain stays in-house, with the crew that was on the shoot. In practice that means one interlocutor from the scoping call to delivery, no hand-off between a production company and a post house, and a cut that can still move when a decision does. It is also why the films hold together as a set: the people finishing your film were on your shoot, and the choices that give brand content its consistency — framing, colour, sound — are made by the same people from the first day to the last.